Showing posts with label Poetry. Show all posts
Showing posts with label Poetry. Show all posts

Friday, August 18, 2017

A Writer MUST Write

I've been writing poetry today.  It's the first time I've written in a long time.  My fingers lost their voice for awhile, I guess, but today I feel like writing again.  I even submitted a few unpublished (in any form) poems for publication.  We'll see how that goes, but for now I'm sharing this poem I wrote today with you.  Enjoy!


My Fingers Lost and Found Their Voice

My fingers used to FLY over the keys
Blurred in their flurry to write
Words appearing so quickly
It was hard to keep up
Until my man dog, Buster, died

Grief will take the wind out of your sails
Leaving you deflated, sad, lonely
It will silence your voice for a time
Almost as if your voice has to heal
Recover from the rawness of shedding all those tears
On a horrifying thief of a Tuesday night in a December years ago

You suddenly find your life a corpse 
Stitched together with uneven stitches as in an autopsy
Turned upside down and inside out and ugly, exposed
The sutures broad, tight, unforgiving, paralyzing
Holding your thoughts for ransom in a world gone grey
Without the only thing that ever colored your life happy
Your fur child, your companion, your friend

The years finally pass; the sutures finally rot and dissolve and
Your fingers free themselves from the grief
The words come quickly again
Spilling onto the page like alphabet soup
But the grief will never be done with you
It rears its ugly head when you least expect it
You catch a familiar whiff in the air and find the memory it stirs is tinged with joy and grief
At the same time
Unlikely, improbable, crazy - I know
But there it is

Memory is a tricky thing
The memories you want to lose are made of the kind of glue they use
To stick price tags on Christmas gifts
Impossible to remove
The remnants remain decades later when you find the boxes
In the attics and cellars of estate sales
The glue becomes a part of who you are
Later in life you find yourself thinking
“I wouldn’t have it any other way.”
As your fingers release the words you need to say
On a sunny August afternoon






Saturday, March 18, 2017

Indian Summer - A Poem

Indian Summer is a poem I wrote a few years ago.  It is published in my poetry book Alice's Verse.  You can hear me read it below.

I've been thinking of this poem recently as I face my retirement and turn the page on a new chapter of my life.  Enjoy!







the dance
giggled through my limbs
twisting and turning me -
a jackstone on end

I laughed through those days
happily ignoring
the oncoming frost
the pale grey days
of impending winter

reveling in the harvest
of my years
I spent the time
entwined in the eyes
of tall and handsome
fair weather lovers

gluttonous
I ate of their sweetness
writhing in their beds
with only thoughts
of pleasure
enjoying all the confections
denied in my youth

Ah...those glorious fleeting days
of Indian summer
now but a memory
frozen in the lines
around my eyes

Saturday, January 7, 2017

Cheating Death

Cheating Death is a poem I wrote for my brother, Tom, after his heart surgery a good many years ago.  It is published in my poetry book Alice's Verse.  You can hear me read it below.

I've been thinking about Tom a lot since his passing Christmas Eve.  Tom cheated death so many times that it is difficult to believe he is really gone.  Since the early 1970s, Tom has been a walking talking medical miracle.  We are all so blessed to have had him as long as we did.

Tuesday, September 27, 2016

Shel Silverstein

Today I'm thinking about Shel Silverstein.  For those of you who do not recognize the name, I am truly sorry you have lived this long without experiencing his work. 

Shel Silverstein was an author, a poet, a dreamer, a schemer, a songwriter, a singer, a screenwriter, a playwright, an artist, a cartoonist, a veteran, and just an all-around remarkable man.  He was born September 25, 1930 and died May 10, 1999.  He called himself Uncle Shelby.

Shel Silverstein

One of my favorite of his children's books is The Giving Tree.  In the book the tree gives everything it has to the child as the child grows up.  The child does not seem thankful at all, but just keeps asking for more.  

I've often wondered why Uncle Shelby wrote the child to be so selfish with no seeming redeeming qualities, but if I think about it, I have to admit humanity is pretty much the same.  I feel so sorry for the tree in the story, but the tree seems content to give and the child seems okay with taking and taking and taking offering nothing in return. 

I think this book is one of my favorites because it is honest.  It doesn't even try to color-coat the truth. 

Yes.  I love Uncle Shelby's children's books, but his poems hold my heart.  I just love them.  They make me laugh. 

I bought his books of poetry as they were published (beginning in the 1970s) and still have them on my bookshelf today: Where the Sidewalk Ends, A Light in the Attic, Falling Up.

I read these poems to my sons over and over and over as they were growing up.  Their favorite was:

SMART (from Where the Sidewalk Ends)
by Shel Silverstein

My dad gave me one dollar bill
'Cause I'm his smartest son,
And I swapped it for two shiny quarters
'Cause two is more than one!

And then I took the quarters
And traded them to Lou
For three dimes -- I guess he don't know
That three is more than two!

Just then, along came old blind Bates
And just 'cause he can't see
He gave me four nickels for my three dimes,
And four is more than three!

And I took the nickels to Hiram Coombs
Down at the seed-feed store,
And the fool gave me five pennies for them,
And five is more than four!

And then I went and showed my dad,
And he got red in the cheeks
And closed his eyes and shook his head--
Too proud of me to speak!

But my all time favorite was:

HECTOR THE COLLECTOR (from Where the Sidewalk Ends)
by Shel Silverstein

Hector the Collector
Collected bits of string,
Collected dolls with broken heads
And rusty bells that would not ring.

Pieces out of picture puzzles,
Bent-up nails and ice-cream sticks,
Twists of wires, worn-out tires,
Paper bags and broken bricks.

Old chipped vases, half shoelaces,
Gatlin' guns that wouldn't shoot,
Leaky boats that wouldn't float
And stopped-up horns that wouldn't toot.

Butter knives that had no handles,
Copper keys that fit no locks,
Rings that were too small for fingers,
Dried-up leaves and patched-up socks
.
Worn-out belts that had no buckles,
'Lectric trains that had no tracks,
Airplane models, broken bottles,
Three-legged chairs and cups with cracks.

Hector the Collector
Loved these things with all his soul,
Loved them more than shining diamonds,
Loved them more than glistenin' gold.

Hector called to all the people,
"Come and share my treasure trunk!"
And all the silly sightless people
Came and looked...and called it junk.

My very favorite of the songs Uncle Shelby wrote was sung by Johnny Cash.  It was called: A Boy Named Sue.  Enjoy!



To learn more about Shel Silverstein visit http://www.shelsilverstein.com/

Saturday, September 10, 2016

Let America Be America Again by Langston Hughes

Lately I've been thinking about our upcoming Presidential election.  I find myself totally dissatisfied with BOTH candidates, and in fear of what is to come post-election. 

Then this poem came to mind.  It was written by Langston Hughes in 1935 and first published in the July 1936 issue of Esquire Magazine when America was still in the throes of the Great Depression.

At the time, the Presidential election seemed all important.  America needed a President to bring the country back from the brink of despair and ruin.  The Great Depression was in its 8th year. Incumbent Democrat, Franklin D. Roosevelt faced Republican and Governor of Kansas, Alf Landon for that position, November 3, 1936.

When the poem was published, no one knew the outcome of that election, much like our situation today.  

I thought about reading this poem to you, but Abena Koomson performs it much more powerfully than me, so I'm including her performance instead. Enjoy!



Let America Be America Again by Langston Hughes

Let America be America again.
Let it be the dream it used to be.
Let it be the pioneer on the plain
Seeking a home where he himself is free.

(America never was America to me.)

Let America be the dream the dreamers dreamed--
Let it be that great strong land of love
Where never kings connive nor tyrants scheme
That any man be crushed by one above.

(It never was America to me.)

O, let my land be a land where Liberty
Is crowned with no false patriotic wreath,
But opportunity is real, and life is free,
Equality is in the air we breathe.

(There's never been equality for me,
Nor freedom in this "homeland of the free.")

Say, who are you that mumbles in the dark?
And who are you that draws your veil across the stars?

I am the poor white, fooled and pushed apart,
I am the Negro bearing slavery's scars.
I am the red man driven from the land,
I am the immigrant clutching the hope I seek--
And finding only the same old stupid plan
Of dog eat dog, of mighty crush the weak.

I am the young man, full of strength and hope,
Tangled in that ancient endless chain
Of profit, power, gain, of grab the land!
Of grab the gold! Of grab the ways of satisfying need!
Of work the men! Of take the pay!
Of owning everything for one's own greed!

I am the farmer, bondsman to the soil.
I am the worker sold to the machine.
I am the Negro, servant to you all.
I am the people, humble, hungry, mean--
Hungry yet today despite the dream.
Beaten yet today--O, Pioneers!
I am the man who never got ahead,
The poorest worker bartered through the years.

Yet I'm the one who dreamt our basic dream
In the Old World while still a serf of kings,
Who dreamt a dream so strong, so brave, so true,
That even yet its mighty daring sings
In every brick and stone, in every furrow turned
That's made America the land it has become.
O, I'm the man who sailed those early seas
In search of what I meant to be my home--
For I'm the one who left dark Ireland's shore,
And Poland's plain, and England's grassy lea,
And torn from Black Africa's strand I came
To build a "homeland of the free."

The free?

Who said the free? Not me?
Surely not me? The millions on relief today?
The millions shot down when we strike?
The millions who have nothing for our pay?
For all the dreams we've dreamed
And all the songs we've sung
And all the hopes we've held
And all the flags we've hung,
The millions who have nothing for our pay--
Except the dream that's almost dead today.

O, let America be America again--
The land that never has been yet--
And yet must be--the land where every man is free.
The land that's mine--the poor man's, Indian's, Negro's, ME--
Who made America,
Whose sweat and blood, whose faith and pain,
Whose hand at the foundry, whose plow in the rain,
Must bring back our mighty dream again.

Sure, call me any ugly name you choose--
The steel of freedom does not stain.
From those who live like leeches on the people's lives,
We must take back our land again,
America!

O, yes,
I say it plain,
America never was America to me,
And yet I swear this oath--
America will be!

Out of the rack and ruin of our gangster death,
The rape and rot of graft, and stealth, and lies,
We, the people, must redeem
The land, the mines, the plants, the rivers.
The mountains and the endless plain--
All, all the stretch of these great green states--
And make America again!

Tuesday, September 6, 2016

A Couple of My Poems for You: Kings of Men and Wisdom and The Willow

Today I decided to share a couple of my poems with you.  The first is Kings of Men and Wisdom from my poetry book, Alice's Verse.



The second is also from Alice's Verse, but the subject matter is very different. Here is The Willow:



For those of you who had rather read than listen, I'm including the text below.  Enjoy!

Kings of Men and Wisdom

All Kings of men are but animated dust
Wandering Earth while they may
Conquering what they can
Collecting bounty and booty

But all their power is like water on a griddle
As are their days
...soon evaporated

True power lives in legend
Twisting on the tongues of children
Whispered round the campfires
Shouted in the headphones
...of modern technology

History is only that which is written
Truth can seldom be proven
Wisdom lies in faith....

The Willow

The ancient willow
hangs her head
and cries
tears of yellow green
that fall gently
across the surface
of her drowning
neighbor lake

A lake once
blue and clear
with water sweet
now green and brown
with neglect
and Pepsi cans
and Coke bottles
and potato chip bags
and discarded tires

She stands alone.
Long hair trailing
in the spring breeze
that blows
her sorrow
to me.

She cries for me.

She cries for days
lost in summers yore
when life was new
and she stood strong
with robins in her hair
and hope cracking
forth from each
tiny egg
lying in their woven
nests
cradled in her woody arms

She cries for nights
silken soft
and full of cricket song
and tiny blinking
firefly lights
that made her know
she was not alone

She cries for air
once pure and fresh
now stale exhaust

She cries for land
once green and ripe,
lush and full
of promise,
now dotted with
condominiums and
stores and houses
and schools and
churches and
lined with
wider and wider
ribbons of highways
and byways
and freeways
and driveways
and streets.

She cries for you
closed behind the
doors of progress
wearing blinders
so that you can
not truly see

She cries for me.

Sunday, August 21, 2016

Annabel Lee - By: Edgar Allan Poe

Edgar Allan Poe's last poem, Annabel Lee, is one of my very favorite poems.  There is a mystery about it, and I do love a good mystery.

Some people say Annabel Lee was written about his wife Virginia Poe whom he lost two years before the poem was written.  Virginia certainly was his beautiful bride, and they did fall in love as children. 
Virginia Poe
But there is a story in Charleston, SC about a sailor whose beautiful sweetheart, Annabel Lee, died of yellow fever while he was away at sea, and I, personally, think Mr. Poe may have heard this story when he was in the army and stationed at Sullivan's Island near Charleston, SC in 1827.  Like most Charleston residents, I like to think Charleston is the "Kingdom by the Sea," and I love the mystery of the beautiful Annabel Lee.  Who was she really?  Did Poe really pine for her?  Was Charleston the "Kingdom by the Sea?"

You decide. 

Today I'm reading the poem for you, and I'll also include the words below.  Enjoy!




Annabel Lee   By Edgar Allan Poe

It was many and many a year ago,
   In a kingdom by the sea,
That a maiden there lived whom you may know
   By the name of Annabel Lee;
And this maiden she lived with no other thought
   Than to love and be loved by me.

I was a child and she was a child,
   In this kingdom by the sea,
But we loved with a love that was more than love—
   I and my Annabel Lee—
With a love that the wingèd seraphs of Heaven
   Coveted her and me.

And this was the reason that, long ago,
   In this kingdom by the sea,
A wind blew out of a cloud, chilling
   My beautiful Annabel Lee;
So that her highborn kinsmen came
   And bore her away from me,
To shut her up in a sepulchre
   In this kingdom by the sea.

The angels, not half so happy in Heaven,
   Went envying her and me—
Yes!—that was the reason (as all men know,
   In this kingdom by the sea)
That the wind came out of the cloud by night,
   Chilling and killing my Annabel Lee.

But our love it was stronger by far than the love
   Of those who were older than we—
   Of many far wiser than we—
And neither the angels in Heaven above
   Nor the demons down under the sea
Can ever dissever my soul from the soul
   Of the beautiful Annabel Lee;

For the moon never beams, without bringing me dreams
   Of the beautiful Annabel Lee;
And the stars never rise, but I feel the bright eyes
   Of the beautiful Annabel Lee;
And so, all the night-tide, I lie down by the side
   Of my darling—my darling—my life and my bride,
   In her sepulchre there by the sea—
   In her tomb by the sounding sea.

Sunday, July 31, 2016

Little Orphant Annie by James Whitcomb Riley (1885)

Today I'm thinking about my favorite poems and poets again, which reminded me of James Whitcomb Riley's 1885 poem, Little Orphant Annie.

In case you haven't already noticed, I really love poems that tell a story.


Every week, back when I was in grammar school, we would all gather in the auditorium for music, which consisted of Mrs. Carol teaching us songs that we would all sing together.  One of the first songs I remember learning was a musical version of the first verse of this poem.  I still remember it well.  I sang it to my sons when they were small, and now I'll sing it to you.

I know...I know...I lose the tune now and then, but you get the gist of it.
  

Little did I know at the time that the story was inspired by a real life person, Mary Alice "Allie" (Smith) Gray.  If you'd like to know her story, click HERE, and if you'd like to know even more about her story, click HERE. 



On another note, I found this YouTube video about the poem, Little Orphant Annie, that you might enjoy.


And last (but certainly NOT least), here is the poem itself in case you'd rather read than listen.  Enjoy! 

Little Orphant Annie

    Little Orphant Annie's come to our house to stay,
    An' wash the cups an' saucers up, an' brush the crumbs away,
    An' shoo the chickens off the porch, an' dust the hearth, an' sweep,
    An' make the fire, an' bake the bread, an' earn her board-an'-keep;
    An' all us other childern, when the supper-things is done,
    We set around the kitchen fire an' has the mostest fun
    A-list'nin' to the witch-tales 'at Annie tells about,
    An' the Gobble-uns 'at gits you
      Ef you
        Don't
          Watch
            Out!
 
    Wunst they wuz a little boy wouldn't say his prayers, —
    An' when he went to bed at night, away up-stairs,
    His Mammy heerd him holler, an' his Daddy heerd him bawl,
    An' when they turn't the kivvers down, he wuzn't there at all!
    An' they seeked him in the rafter-room, an' cubby-hole, an' press,
    An' seeked him up the chimbly-flue, an' ever'-wheres, I guess;
    But all they ever found wuz thist his pants an' roundabout: —
    An' the Gobble-uns 'll git you
      Ef you
        Don't
          Watch
            Out!
 
    An' one time a little girl 'ud allus laugh an' grin,
    An' make fun of ever' one, an' all her blood-an'-kin;
    An' wunst, when they was "company," an' ole folks wuz there,
    She mocked 'em an' shocked 'em, an' said she didn't care!
    An' thist as she kicked her heels, an' turn't to run an' hide,
    They wuz two great big Black Things a-standin' by her side,
    An' they snatched her through the ceilin' 'fore she knowed what she's about!
    An' the Gobble-uns 'll git you
      Ef you
        Don't
          Watch
            Out!
  
    An' little Orphant Annie says, when the blaze is blue,
    An' the lamp-wick sputters, an' the wind goes woo-oo!
    An' you hear the crickets quit, an' the moon is gray,
    An' the lightnin'-bugs in dew is all squenched away, —
    You better mind yer parunts, an' yer teachurs fond an' dear,
    An' churish them 'at loves you, an' dry the orphant's tear,
    An' he'p the pore an' needy ones 'at clusters all about,
    Er the Gobble-uns 'll git you
      Ef you
        Don't
          Watch
            Out!

Monday, July 25, 2016

Gunga Din By: Rudyard Kipling

One of my favorite war themed poems is Gunga Din by Rudyard Kipling.  I first heard this poem in high school.  It painted such an unforgettable picture in my mind that I just had to share.

I only wish I could read it in an English accent, but I only have my own, so I'm including the words below in case you'd rather read than listen.   Enjoy!





Gunga Din  By Rudyard Kipling

You may talk o’ gin and beer  
When you’re quartered safe out ’ere,  
An’ you’re sent to penny-fights an’ Aldershot it;
But when it comes to slaughter  
You will do your work on water,
An’ you’ll lick the bloomin’ boots of ’im that’s got it.  
Now in Injia’s sunny clime,  
Where I used to spend my time  
A-servin’ of ’Er Majesty the Queen,  
Of all them blackfaced crew  
The finest man I knew
Was our regimental bhisti, Gunga Din,  
      He was ‘Din! Din! Din!
   ‘You limpin’ lump o’ brick-dust, Gunga Din!
      ‘Hi! Slippy hitherao
      ‘Water, get it! Panee lao,
   ‘You squidgy-nosed old idol, Gunga Din.’

The uniform ’e wore
Was nothin’ much before,
An’ rather less than ’arf o’ that be’ind,
For a piece o’ twisty rag  
An’ a goatskin water-bag
Was all the field-equipment ’e could find.
When the sweatin’ troop-train lay
In a sidin’ through the day,
Where the ’eat would make your bloomin’ eyebrows crawl,
We shouted ‘Harry By!’
Till our throats were bricky-dry,
Then we wopped ’im ’cause ’e couldn’t serve us all.
      It was ‘Din! Din! Din!
   ‘You ’eathen, where the mischief ’ave you been?  
      ‘You put some juldee in it
      ‘Or I’ll marrow you this minute
   ‘If you don’t fill up my helmet, Gunga Din!’

’E would dot an’ carry one
Till the longest day was done;
An’ ’e didn’t seem to know the use o’ fear.
If we charged or broke or cut,
You could bet your bloomin’ nut,
’E’d be waitin’ fifty paces right flank rear.  
With ’is mussick on ’is back,
’E would skip with our attack,
An’ watch us till the bugles made 'Retire,’  
An’ for all ’is dirty ’ide
’E was white, clear white, inside
When ’e went to tend the wounded under fire!  
      It was ‘Din! Din! Din!’
   With the bullets kickin’ dust-spots on the green.  
      When the cartridges ran out,
      You could hear the front-ranks shout,  
   ‘Hi! ammunition-mules an' Gunga Din!’

I shan’t forgit the night
When I dropped be’ind the fight
With a bullet where my belt-plate should ’a’ been.  
I was chokin’ mad with thirst,
An’ the man that spied me first
Was our good old grinnin’, gruntin’ Gunga Din.  
’E lifted up my ’ead,
An’ he plugged me where I bled,
An’ ’e guv me ’arf-a-pint o’ water green.
It was crawlin’ and it stunk,
But of all the drinks I’ve drunk,
I’m gratefullest to one from Gunga Din.
      It was 'Din! Din! Din!
   ‘’Ere’s a beggar with a bullet through ’is spleen;  
   ‘’E's chawin’ up the ground,
      ‘An’ ’e’s kickin’ all around:
   ‘For Gawd’s sake git the water, Gunga Din!’

’E carried me away
To where a dooli lay,
An’ a bullet come an’ drilled the beggar clean.  
’E put me safe inside,
An’ just before ’e died,
'I ’ope you liked your drink,’ sez Gunga Din.  
So I’ll meet ’im later on
At the place where ’e is gone—
Where it’s always double drill and no canteen.  
’E’ll be squattin’ on the coals
Givin’ drink to poor damned souls,
An’ I’ll get a swig in hell from Gunga Din!  
      Yes, Din! Din! Din!
   You Lazarushian-leather Gunga Din!  
   Though I’ve belted you and flayed you,  
      By the livin’ Gawd that made you,
   You’re a better man than I am, Gunga Din!

Tuesday, July 19, 2016

The Wind by Robert Louis Stevenson and a Memory From the Writers' Museum - Edinburgh, Scotland

Today I'm reading one of my favorite poems from childhood.  It is from the book, A Child's Garden of Verses, by one of my very favorite poets, Robert Louis Stevenson.

I was once privileged to visit Edinburgh, Scotland.  I truly am blessed. 

My favorite place I visited in Edinburgh was the Writers' Museum. The Writers’ Museum celebrates the lives of three great Scottish writers – Robert Burns, Sir Walter Scott and (BEST of all!) Robert Louis Stevenson.



Above is a photo of me with the lady (A very knowledgeable lady!) who worked in the downstairs Robert Louis Stevenson area of the Writers' Museum back in 2005. This lady had an identical twin sister who worked upstairs in the Robert Burns exhibit.  They were both volunteers at the museum.  This one was very friendly and talkative and helpful, her identical twin was the opposite, but they looked EXACTLY alike! 

Sadly, this lady and her twin have now passed away, but I will always remember them...especially the one pictured above.  She told me wonderful stories about Robert Louis Stevenson. 

She said in 1876 Robert Louis Stevenson met and fell in love with a married American woman named Fanny Vandegrift Osbourne.  Fanny later divorced and much to the horror of his family, Robert married Fanny, the divorcee, in 1880.

If you'd like to know more about Robert Louis Stevenson, click HERE. 

Now, the poem!  Enjoy!!



The Wind by Robert Louis Stevenson

I saw you toss the kites on high
And blow the birds about the sky;
And all around I heard you pass,
Like ladies' skirts across the grass--
                  O wind, a-blowing all day long,
                  O wind, that sings so loud a song!

I saw the different things you did,
But always you yourself you hid.
I felt you push, I heard you call,
I could not see yourself at all--
                 O wind, a-blowing all day long,
                 O wind, that sings so loud a song!

O you that are so strong and cold,
O blower, are you young or old?
Are you a beast of field and tree,
Or just a stronger child than me?
                O wind, a-blowing all day long,
                O wind, that sings so loud a song!

Saturday, July 9, 2016

My Favorite Poem of All Time: The Flute by Wilfred Wilson Gibson

Those of you who know me, know that I love poetry.  When I was in the 9th or 10th grade I happened upon the poem, The Flute by Wilfred Wilson Gibson.  It has been my favorite poem ever since, so I decided to read it to you.  

Press the red circle with the arrow to hear the reading.  Enjoy!


The Flute by Wilfred Wilson Gibson

Good-NIGHT! he sang out cheerily —
Good-night! — and yet again — Good-night!

And I was gay that night to be
Once more in my clean countryside
Among the windy hills and wide.
Six days of city slush and mud,
Of hooting horn and spattering wheel,
Made me rejoice again to feel
The tingling frost that fires the blood
And sets life burning keen and bright,
And down the ringing road to stride
The eager swinging stride that braces
The straining thews from hip to heel,
To breathe again the wind that sweeps
Across the grassy Northern steeps
From crystal deeps and starry spaces.

And I was glad again to hear
The old man's greeting of good cheer:
For every night for many a year
At that same corner we had met,
Summer and winter, dry and wet;
And though I never once had heard
The old man speak another word,
His cheery greeting at the bend
Seemed like the welcome of a friend.

But as we neared to-night somehow
I felt that he would stop and speak —
Though he went by — and when I turned
I saw him standing in the road,
And looking back with hand to brow,
As if to shade old eyes grown weak
Awaiting the long sleep they'd earned,
Though, as again towards him I strode,
A friendly light within them burned.

And then as I drew nigh he spoke
With shaking head and voice that broke:
I've missed you these last nights , he said,
And I have not so many now
That I can miss friends easily. . . .
Ay, friends grow scarce as you grow old,
And roads are rough and winds are cold,
And when you feel you're growing old
Life doesn't go too merrily.

And then he stood with nodding head
And spoke no more. And so I told
How I had been six days and nights
Exiled from pleasant sounds and sights;
And now, as though my voice had stirred
His heart to speech, he told right out
With quickening eye and quavering word
The things I care to hear about,
The little things that make up life —
How he'd been lonesome since his wife
Had died some thirty years ago;
And how he trudged three mile or so
To reach the farmstead where he worked,
And three mile back to his own door ...
For he lived outby on the moor;
And every day the distance irked
More sorely still his poor old bones,
And all the road seemed strewn with stones
To trip you up when you were old,
When you were old and friends were few;
How, since the farmstead had been sold,
The master and the men were new,
All save himself, and they were young,
And mistress had a raspy tongue;
So often he would hardly speak
A friendly word from week to week
With any soul. Old friends had died
Or else had quit the countryside,
And since his wife was taken he
Had lived alone this thirty year:
And there were few who cared to hear
An old man's jabber ... and too long
He'd kept me standing in the cold
With his long tongue and such a song
About himself! And I would be ...

I put my arm through his and turned
To go upon his way with him;
And once again the warm light burned
In those old eyes so weak and dim,
When with weak piping voice he told
How much it meant to him each night
To change a kindly word with me,
To think that he'd at least one friend
Who'd happen miss him in the end.

Then as we walked he said no more;
And silent in the starry light
Across the wide sweet-smelling bent
Between the grass and stars we went
In quiet friendly company;
And all the way we only heard
A chirrup where some partridge stirred
And ran before us through the grass
To hide his head till we should pass.
At length we reached the cottage door;
But when I stopped and turned to go
His words came tremblingly and slow —
If I would step inside and rest
I'd be right welcome: not a guest
Had crossed his threshold thirty year ...
He'd naught but bread and cheese and beer
To offer me ... but I'd know best ...

He spoke with hand upon the latch,
And, when I answered, opened wide
The cottage door and stepped inside,
And as I followed struck a match
And lit a tallow-dip, and stirred
The banked-up peats into a glow;
And then with shuffling step and slow
He moved about and soon had set
Two mugs of beer and bread and cheese:
And while we made a meal off these
The old man never spoke a word,
But brooding in the ingle-seat
With eyes upon the kindling peat
He seemed awhile to quite forget
He was not sitting by himself
To-night like any other night;
When as in the dim candle-light
I glanced about me, with surprise
I saw on the low rafter-shelf
A flute, nigh hidden in the shade.

And when I asked him if he played
The light came back into his eyes:
Ay, ay, he sometimes played a bit,
But not so often since she died.
And then, as though old memories lit
His poor old heart and made it glad,
He told how he when quite a lad
Had taught himself — and they would play
On penny whistles all the day,
He and the miller's son beside
The millpool, chirping all they knew
Till they could whistle clean and true;
And how, when old enough to earn,
They'd both saved up to buy a flute,
And they had played it turn by turn:
But Jake was dead this long while back. . . .
Ah! If I'd only heard him toot
I'd know what music meant. Ay, ay,
He'd play me something by and by,
Though he was naught to Jake; and now
His breath was scant and fingering slack ...

He used to play to her at night
The melodies that she liked best
While she worked on: she'd never rest
By daylight or by candle-light ...
And then with hand upon his brow
He brooded quiet in his chair
With eyes upon the red peat-glare,
Till with a sigh he roused himself
And reached the flute down from the shelf,
And carrying it outside the door
I saw him take a can and pour
Fresh water through the instrument,
To make it sweet of tone he said.
Then in his seat, so old and bent,
With kindling eyes and swaying head
He played the tunes he used to play
To please his wife before she died.
And as I watched his body sway
In time and tune from side to side —
So happy just to play and please
With old familiar melodies,
His eyes grew brighter and more bright
As though he saw some well-loved sight:
And following his happy gaze
I turned and saw without amaze
A woman standing, young and fair,
With hazel eyes and thick brown hair
Brushed smoothly backward from the brow.
Beside the table that but now
Save for the empty mugs was bare.
Upon it she had spread a sheet
And stood there, ironing a shirt,
Her husband's, as he played to her
Her favourite tunes so old and sweet.
I watched her move with soundless stir
Then stand with listening eyes, and hold
The iron near her glowing cheek,
Lest it, too hot, should do some hurt,
And she, so careful not to burn
The well-darned shirt so worn and old.

Then something seemed to make me turn
To look on the old man again;
And as I looked the playing stopped,
And now I saw that he had dropped
Into his brooding mood once more
With eyes again grown dull and weak.
He seemed the oldest of old men
Who grope through life with sight grown dim,
And even as I looked at him,
Too full of tender awe to speak,
I knew once more the board was bare
And no young woman standing there
With hazel eyes and thick brown hair.

And so at last I rose and took
His hand, and as he clasped mine tight
I saw again that friendly look
Fill his old weary eyes with light
And wish me, without words, good-night:
And in my heart that look glowed bright
Till I reached home across the moor.
And at the corner of the lane
Next night I heard the old voice cry
In greeting as I struggled by,
Head-down against the wind and rain:
And so each night until one day
His master chanced to cross my way;
But when I spoke of him he said
Did I not know the man was dead,
And had been dead a week or so.
One morn he'd not turned up to work,
And never having known him shirk,
And hearing that he lived alone,
He'd thought it best himself to go
And see what ailed, and, coming there,
He found the old man in his chair
Stone-dead beside the cold hearthstone.
It must be full a week or more ...
Ay, just two weeks come Saturday
He'd found him, but he must have died
Overnight — (the night I heard him play!)
And they had found, dropt by his side,
A broken flute upon the floor.

Yet every night his greeting still
At that same corner of the hill,
Summer and winter, wet or dry,
'Neath cloud or moon or cold starlight
Is waiting there to welcome me;
And ever as I hurry by
The old voice sings out cheerily —
Good-night! and yet again — Good-night!